Joaquin Phoenix in Interview Mag:
On Honest Acting:
I don’t know what would make it different each time. Each time is different, and you can’t overthink things. That’s another danger, to go, “Well, I’ve got to do something different …” Because I want to be true to what the thing is, and if that means that it’s similar to something else that you might have seen me do, then that’s fine, too. I don’t give a fuck. I don’t need to look different or do an accent. That’s not what I’m after. I’m after … I don’t know exactly what I’m after—it’s just a feeling that I’m chasing and I don’t know what it is. But I think the only way I really get it is by feeling that there’s no real control and that there’s a certain amount of danger.
On Rage and Perspective:
I was just with my mother and my stepfather to do this work with peaceful, nonconflict resolution. They work with a lot of kids, and I was just visiting with them, which fascinated me because this place they were working is this last-of-the-line school, like the one you go to right before you’re in jail. These kids have already been kicked out of every school. So here I am in this class with these kids, and they say, “Talk about what your gifts are this year.” And this one girl is like, “Two hands.” She has two hands—she’s a fighter. And this is a gift, right? But it’s tough because on the way rolling over there I was bumping fucking Weezy—and I love hardcore rap—but I felt supremely guilty. I’m hanging out with this 13-year-old kid, and I’m thinking about me at 13. Is there enough rage and dissatisfaction in your life where it feels like you’re never fucking heard and no one ever gives a fuck about you? I was angry when that was going on, and I was raised where I wasn’t worried about whether I was going to be able to eat tomorrow. 

Joaquin Phoenix in Interview Mag:

On Honest Acting:

I don’t know what would make it different each time. Each time is different, and you can’t overthink things. That’s another danger, to go, “Well, I’ve got to do something different …” Because I want to be true to what the thing is, and if that means that it’s similar to something else that you might have seen me do, then that’s fine, too. I don’t give a fuck. I don’t need to look different or do an accent. That’s not what I’m after. I’m after … I don’t know exactly what I’m after—it’s just a feeling that I’m chasing and I don’t know what it is. But I think the only way I really get it is by feeling that there’s no real control and that there’s a certain amount of danger.

On Rage and Perspective:

I was just with my mother and my stepfather to do this work with peaceful, nonconflict resolution. They work with a lot of kids, and I was just visiting with them, which fascinated me because this place they were working is this last-of-the-line school, like the one you go to right before you’re in jail. These kids have already been kicked out of every school. So here I am in this class with these kids, and they say, “Talk about what your gifts are this year.” And this one girl is like, “Two hands.” She has two hands—she’s a fighter. And this is a gift, right? But it’s tough because on the way rolling over there I was bumping fucking Weezy—and I love hardcore rap—but I felt supremely guilty. I’m hanging out with this 13-year-old kid, and I’m thinking about me at 13. Is there enough rage and dissatisfaction in your life where it feels like you’re never fucking heard and no one ever gives a fuck about you? I was angry when that was going on, and I was raised where I wasn’t worried about whether I was going to be able to eat tomorrow. 

The Master
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